dj yaniv presents a great electro indi minimal compilation ... i think one of the must haves this year ... ganz groß

after the success of the first tattoorec release with massive support from such djs as richie hawtin, luciano, tiefschwarz, sven väth and magda, here is another set of beautiful tattoos. three. is a melodic and uplifting tattoo. wait for the melody, and you will feel. this side features a beautifull tattoo of a greek goddess. four. is bare boned minimal funk tattoo. wait for the break, and you will see. this side is our friends signature tattoo. it says halløjsa (meens hallöchen in german, or a very cheeky hello in english)

uh hugh, this side of the record is a story that tells its self. dirt mixed with crunchy melody and excitement, makes this mix of bouncing bubbly blobs an irresistible must have. low end sub loving bass lines and analogue riffs all together with a voice that tells it like it is >uh hugh<. this side also holds the fort as far as the oldschool is concerned. deep, lush and full on non stop madness. jump in and roll in it. viography. this vibrant electro pumper is another one of pig&dan s more positive good time tracks that has made the duo name more present in the boxes of the less techno orientated dj s. it s feel and vibe still hold the electronic imprint to be expected of their previous works, but with a melodic edge that is unique and has a smile appeal that reaches peaks of musical bliss. this production has its little twists that give it an acid vibe and a feel which was present in the oldshool

classic ndw remake in four mixes..

after many years of waiting, treble o present the release of the highly sought after domu production by nicola kramer best in me.the sample string and strong melody see the rhythm section chilling a little, but the shuffle kicks in on the chorus, lifting it from a head nodder to a foot shuffler. included in this single is the hottest remix around at the moment by mr dego ranks and kaidi tatham, publicly known as dego and kaidi. here kaidi and dego fuse subtle keys with chunky beats that glide wistfully under nicolas haunting vocal. the bumpy groove gives it the dancefloor edge whilst its deep musicality gets the hairs standing on their very ends. trademark sounds from both artists in their own rights, a certified future classic

side a) 1. weedis : weedis is so funky we can t still can t believe it s made in japan. breathtakingly smooth, broken, and deadly. side b) 1. wipe sherbet : ok… now re-read what we said about weedis and apply it to wipe sherbet, only this time add a scoop full of subtle melody (or raisins). side b) 2. snoop summer : a brooding, melodic and emotive track which will fill the head and clear the dancefloor

the track is produced as a cooperation between lickin artists homeaffaiirs and sunloverz. a great remix package is available to complete the original versions sunloverz on the guitars take this track into a very up to date version which toes the line between progressive and house, raul rincon does a groovy job giving the track a new (but well known) melody hook and patric la funk adds a catchy piano with a subtle vox placement

labelboss and manager darren kay launches yet another techno monster of his acclaimed techno imprint concept! following the huge kode release on hertzs label hz trax you are tr4eated with a very suitable follow up which includes a lushious rework by darren kay himself. proper pumping techno with infectious funk and solid groove is here to stay

maschine number nine integrale - inside features two tracks by solieb. integrale on the a-side is a bleepy pumping track that s filled with small effect and percussion gadgets topped with a melody that takes control from the middle of the track and turns it into a remarkable musical trip. inside on the b-side is a freaky minimal electro slammer with a fat-ass groove and a load of glitch on top getting transformed into an serious floor shaking beast when the bassline comes in

the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

new righteous offering by label boss ron trent himself under his new rude boy science moniker: heavy skanking organ and percussive riddims, a massive bassline taking over the melody part, nuff dub stylings and a voice of thunder transport the essence of true roots music into deephouse. the flip holds a sparser dub with even more emphasis on the bassline. stomp down babylon

redshape returns with another strong delsin release. after his impressive debut, again three deep house tracks. -misc usage- on the a side brings dark acidic deep house, with an irristible bassline. -cajmere- shows the warmer side of redshape with the beauty of melody, along the lines of ame material. last track goes -dem young sconies- on acid, dark, and highly effective!

really impressive, strong techno music! this ep is a split in between three rising stars on the swedish techno scene. prataps contribution starts of with a wicked groove that just goes on and on. and before you know it, you are totally lost in a melody that is slowly building up. the flip from nihad tule and lasseman is on the very same tip. nihad, know from his release on hz trax will not let any body down! a really strong and groovy sound is coming your way and just keeps on building. hypnotic and very funky!

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

next shot from stephan bodzin with two massive and epic tracks. >pendulum< features a simple and yet sophisticated melody that winds itself into your brain like a rusty screw, modulation madness in combination with cool and laidback drums and analogue bass. >silhouette< is a anthem like tune that features steaphans trademark basslines, drums, effects and noises

limited repress of this classic tracks from joey beltram feat energy flash, mentasm and other well know beltram tunes !!!

stamping bassdrum, a purring voice, a silky melody and very coarse impel shuffled beats

after some 12inch for their mates of goodlife (the hacker & oxia label) or ozone (kiko label), the twice friends give us two titles as a tribute to their favorite cult tv serie of their childhood >galactica<, with an unstoppable killer remix by thier close friend the hacker. a side, « loss », start as a classical oldschool techno track with an acid flavor, big deep ravy voices & hypnotic twisting groove and finish with an emotionnal & melancolic melody . b side >galactica< revisited by their neighboor the hacker, is immediatly identified as a classical sound of the famous worldwide producer : a sharp of straight oldschool electro, a zest of acid, square beats and post new wave sounds for a killer dancefloor result. then the original, to close the 12inch is a classical combination of a big kick and hi-energetic sounds for a cutting vision of contemprary dancefloor techno

here we present you a dose of love techno. in the shape of pelle buys. with complex surface compositions, deep bass constructs and intellegent melody sequences, mr. buys brews a audiophile emotional cocktail, with highest precision and intuition.

>je ne t aime plus< is peppered with silky delicate vocals by anita lixel, which will debauch you, added by a punchy beat with afluently melody! a further special on this slice, are the tricky minimal remixes by oscar and jenn. a burning electro track

the electribe-family once again welcomes a new promising member, guy j from israel, tel aviv. with >hazui<, he delivers a track which makes it impossible to be pigeonholed thanks to his catchy, xylophone-like melody over a spacy-dry rack of beats !! remix comes from man of the moment gui boratto !!!

following up to the fantastic earth beats remix ep (with hendrik schwarz and chateau flight) here comes kuniyukis new strike >sekai no ichiban<.. kunis new tracks are pure blissful musical drifts through wonderfull future jazz, ian obriens remix is a thick cut percussive detroity deep house voyage, atmospheric and kicking and symphonic. beautiful release !!

a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

sleepy hollow was obviously inspired by the movie of the same name. it is one of my favourite pictures by tim burton and i really like the dark, creepy atmosphere of it. the bass-line recreates this mood to an extent that it scares me, makes me shiver. i mean, really! regenerate has such a strong techhouse vibe to it, again reminiscent of the early 90s and a very strong groove. excellent percussion programming and modulation by stephan. this one builds and builds until it completely gets you. personally i think all due respect is the most laidback, reduced track on the album. we came up with this distinctive, monotone melody/bass and i loved the feeling right away. definetely the kind of music that i like to play on a sunday after hour session

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

together with his partner in crime sascha b, ludovic vendi produced three new tracks under the alias robotique on dialect recordings. with >message< both give us a warm welcome to join them, and hen i say warm i mean it. turn on the >message< close your eyes and this bass-pizzacato mixed with a driving minimal sound combined a complex percussion melody takes you away to a rave in the sun... >ricochet< is pure funk, also flavoured with a driving minimal sound, while the closing >reencuentro< is the right track for a full dancefloor in the morning hour which will make the crowd scream ecstatically! futureistic dark sounds driven by a minimal beat. an absolute floor burner

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

two electro funk fuelled tracks on the a side weekend world offers his remix of paranoid jack with a tough driving bass line set against crisp jacking beats tried and test dance floor destruction on the flip alex offers his interpretation of perfectos jay welsh ioto with an infectious and haunting melody laid over a deep bass line and a solid groove this two tracker is a must for peak time players support from sasha john digweed kurt james zabiela nick warren hernan cattaneo

with the fat bases and summer like percussion mr browns version of masuku monini is a creation of his typical summer zouk house uplifting feeling later on in this version you will be surprised by this electronic melody floating up the surface of the song giving you more of tha booty shaking saxy character supported by vocals which state what the song is all about

hailing from eindhoven, this 28 year old takes his cues straight from the book of maurizio & basic channel. his sound, a distinct fusion of detroit fuelled techno soul with cutting edge dub, steeped in deep atmospherics and rich ethereal melody..

dj mehdi is the french equivalent of dj premier or pharrell and unleashes a hybrid electro hip pop affair with the vocal talents of chromeo the montreal version of this definitely has a neptunes feel but its all about kenny dopes mixes on this platter kenny drops two dope house mixes the first a beefy house working that works the melody and synth hook nicely giving it a dark afro feel kennys old school mix is a wicked hip house throwback that goes off

shinedoe, one of the top talents currently arround. massive breaktrough with 2004 summer hit >dillema< and 2005 summer hit >phunk<...after realeses on intacto and trapez, shinedoe returns with a new slammer on 100% pure records. believe us, it is a phat one! seek and you will find, absolutely top of the bill melody. gated strings driffting alongside a shinedoe like bassline. classic state already

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

phatzoo as in the word phat! thats exactly what this is all about. big pumping house music for peak hours. double a-side single kicks of with twisted tweak, the high energy track with it s unforgettable bleepy melody. loads of build-ups and drops which surely will destroy any dance floor. on flipside we have the phaaaat electro sounding big bash. and big it is

>dirty jay< on a1 is a mixture of steve bug and josh wink in one dirtbag. superfreak meets traffic signs. on the flip side we have two more old-school tracks, starting with >da shit< on b1. short synth bleeping repetitive sounds, a clear drum arrangement and an old school male voice-sample, these are the ingredients of this journey. finally >sophie< on b2 shows us this well-known oldschool dry bass, followed by a unintrusive atmospheric melody. all together will work on your floor very well !!

the first single on esperanza is produced by kiko barba, mimusik records capo in madrid with two releases on stock..his debut e.p. on esperanza >esperan2< is somekind of deep minimal with a weird funky melody coming up on the middle of the track that burns everything up. it comes up in the second cut of the a side with butanes rmx. he is alphahouse recods owner in the u.s. and brings a more deep housey track perfect for a firsthours club set. last but not least there is a troy pierce remix on the whole b side, almost 8 minutes minimal dancefloor bomb with an acid kind bass and a killer base...

cevin fisher switches his more recent minimal tribal grooves for something a little funkier supplying the vocal himself he turns out a tune of real quality that replaces the current vogue for hard electronic beats with washes of uplifting melody though his dub mix supplies something a little tougher in the rhythm department paul harris and julian peake aka superbass are handed remix duties

songs from serge gainsbourng.

a mad rockin 3 tracker that gives all the wannabes a lecture in pure energy. without any unnessecary foreplay >pop n puss< gets right into action with a stomach turning bassline, hysteric siren sounds and ass-slapping claps. in good old 3rd bass tradition fakers get the >gas face< - another jittering electro-boogie beatdown - before k alexi shows a little bit of tenderness yet keeps it freaky with the slightly deeper >cybersex<, a viril, climatic percussive pounder with a mysterious synth strings melody. k alexi knows your inner urges and basic needs!!

dabrye-man steps out steps out to the dark side. dark, nasty ass chicago tracks that will hit you hard... check

strong beats old school commodore 64 sounds and floating lead melody on aside flip for two dirty but funky tracks !!!

the a-side presents >shick<, a dark minimal pusher. permanent sticks hold the tempo, while a dark but dirty melody slowly rises up and starts to lead the track. after a short break, >shick< evloves its whole sable grandeur. take your time to enjoy this one.. on the b-side, you find another strong bit. >shock< is less dark but more funky. shuffling hihats, a jumping bassline and some short chords qualify shock s heavy demand on the dancefloor. a thin open hihat makes grooves on and on and a short ear candy melody wont leave your head for hours. do we need anything else? dont think so

title cut is already getting massive play from the likes of väth and aquaviva. resonant electrofied rhythms roll together as the melody snaps back and stabs at the mix. peak is heavy before the groove funk backs it up. electro house at it s finest. flip side is >mondo dingo<. making use of 3am timespot it is a sparse electronic house groove that blends techno like synthesizers from out of space with the solid back beat. trapez style track

big city music has this very special hip-shaking beat construct. the track just starts with one hihat, one short shaker, dry claps paired with two simple lead sounds. one of them repeating itself until the end and one to be morphed up and down, increasing and decreasing all the time. an exciting journey through changing tone lengths and different faces of at least one melody. on the flip side you find >asanebo<, another unique smasher. again this funky groove, but the sound surrounding comes a bit more spheric and mystic. an excellent track to loose yourself on the floor

aka troy pierce (minus), enemy love ( cover y our face ) is a collection of dark eerie and sometimes twisted minimal techno tracks. all the tracks sit together in a similar v ein, but all shine indiv idually and the album walks the ambigious line between dancef loor hits and af ter hours jams. tunes like the anthemic grace (anxiety ) with its almost post-punk v ocal and hy pnotic, twangy melody is sure to send dancef loors ov er the edge. ref lected and leav ing take y ou down a darker path of introspection with the help of gibby millers dark, brooding v ocals. this album will push and pull y ou through a tripped-out laby rinth of sounds, sad and heavy-hearted at times powerful and full of grace others

something new features female singer anns deep and bass voice the darkside remix version on a side is melting tribal house with electro sounds the lively melody brings us back some robin s production find also on this 12inch a remix by djted featuring a reworked bass line and aiming at dancefloors

with a bold, funny and seductive theme, with a captivated and catching melody that gets you at first sight and doesn t leave you till the last beat. pays homage to one of karlos favorite >toy<, the neverend roland tb 303, that brings an intense deep acid secuence. >tb or not tb< a theme that wont let you go. in the other side, martinez (out of orbit), one of the best known european artist from an international view and probably the 2005 winner, joining his friend trentemoller, is the creator of the remix <tb or not tb<. hot shit !

traditional azuli vocal house with melody and beats , incl other mix, miami edit mix